Tuesday, 15 March 2011
Monday, 14 March 2011
latest songs watch online
Ishqiya, directed by debutant Abhishek Chaubey, is a delicious little film that teeters dangerously between saucy comedy and suspenseful noir. Unapologetically adult in its relationships, its language and its humor, the film sparkles for its inspired writing and uncompromised direction. Ishqiya is a film that has wheels within wheels, a film that's constantly unraveling itself, surprising you as every new layer is peeled. If the film falters, it's in the third act where a key twist comes off as unconvincing, and a climax too convoluted. But these are small nitpickings in an immensely enjoyable journey that deserves to be relished more than once. I'm going with three-and-a-half out of five and a thumbs-up for director Abhishek Chaubey's Ishqiya, It's an assured, confident debut and one hell of a rollicking ride. A textured, compelling drama that's unlike anything you've seen lately.
Ishqiya is a zany little black comedy that may be completely desi in its idiom, its lingo, its landscape. Yet, when it comes to drama, it is totally Hollywood. Debutant director Abhishek Chaubey tells his story with a panache that falters only in the end. Ironically, if he hadn't faltered in winding up this delectable little tale of a wicked trio, with nothing to lose not even their morals -- he would have created a masterpiece. But the last few reels are so much of a rumble-tumble, they leave you both confused and somewhat dissatisfied. In Ishqiya lingo, the film is a sutli bomb (firecracker) that tickles and explodes. But for the hurried and harried end. Go, have a blast.
Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, ISHQIYA isn't the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In ISHQIYA, you just don't know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable.You need to have a strong stomach to absorb ISHQIYA. It's high on drama, it's wild, it's real. But it's not dark, it's not sleazy, it's not crass. Set in Gorakhpur in North India, the film has a rustic feel, depicts characters that may make you uncomfortable and is laced with saucy lingo. On the whole, ISHQIYA is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.
Comfortable in its capricious skin, Ishqiya -- a tricky and moody tale of a whimsical trio caught in twisted circumstances -- gets even more complicated owing to the impulsiveness of heart. Regardless of its colourful language, simmering sexuality, ribald humour and unabashed reverence for the offensive, the drama has enough lyricism, layers and eccentricity to stereotype it as grim or gawky. While Ishqiya is a terrific first-time effort from Chaubey, there were a couple of things that strike a jarring note. Firstly, the pace could have been tauter and done away with all the excessive ambiguity surrounding characters, sub-plots and their objectives. If the idea is to keep them enigmatic, it is tediously conveyed.
Source: watch bollywood songs {www.radiomaska.com}
Ishqiya is a zany little black comedy that may be completely desi in its idiom, its lingo, its landscape. Yet, when it comes to drama, it is totally Hollywood. Debutant director Abhishek Chaubey tells his story with a panache that falters only in the end. Ironically, if he hadn't faltered in winding up this delectable little tale of a wicked trio, with nothing to lose not even their morals -- he would have created a masterpiece. But the last few reels are so much of a rumble-tumble, they leave you both confused and somewhat dissatisfied. In Ishqiya lingo, the film is a sutli bomb (firecracker) that tickles and explodes. But for the hurried and harried end. Go, have a blast.
Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, ISHQIYA isn't the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In ISHQIYA, you just don't know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable.You need to have a strong stomach to absorb ISHQIYA. It's high on drama, it's wild, it's real. But it's not dark, it's not sleazy, it's not crass. Set in Gorakhpur in North India, the film has a rustic feel, depicts characters that may make you uncomfortable and is laced with saucy lingo. On the whole, ISHQIYA is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.
Comfortable in its capricious skin, Ishqiya -- a tricky and moody tale of a whimsical trio caught in twisted circumstances -- gets even more complicated owing to the impulsiveness of heart. Regardless of its colourful language, simmering sexuality, ribald humour and unabashed reverence for the offensive, the drama has enough lyricism, layers and eccentricity to stereotype it as grim or gawky. While Ishqiya is a terrific first-time effort from Chaubey, there were a couple of things that strike a jarring note. Firstly, the pace could have been tauter and done away with all the excessive ambiguity surrounding characters, sub-plots and their objectives. If the idea is to keep them enigmatic, it is tediously conveyed.
Source: watch bollywood songs {www.radiomaska.com}
Saturday, 12 March 2011
latest song online bollywood
One looks forward to getting surprised with the soundtrack of Yeh Saali Zindagi. After all the film has been directed by Sudhir Mishra whose films invariably boast of good, though different, music. They may or may not find instant appeal but then they are remembered long after the film has come and gone. Case in point being Is Raat Ki Subah Nahi, Chameli and of course Hazaron Khwaishein Aisi. His last release Khoya Khoya Chand may not be playing till date while Tera Kya Hoga Johny never saw a release. Still one definitely wants to check out what does first time composer Nishat Khan have to offer here along with lyricist Swanand Kirkire.
As expected, it's the title song 'Yeh Saali Zindagi' which kick starts the proceedings in the album. A rare track that features both Sunidhi Chauhan and Shilpa Rao, it by itself becomes special due to these two singers with a distinct voice coming together behind the mike along with Kunal Ganjawala. A track that starts off as a soft track, it picks up pace within a minute to give it a pacy feel, only to return into being a slow number all over again. With hevay Western influence to it, 'Yeh Saali Zindagi' is a well written, composed and sung track that delivers what one expected from the soundtrack of this Sudhir Mishra film.
Due to it being a superb composition in the offing, Yeh Saali Zindagi deservingly finds two more versions going for it in the album. While one of them is an all-female version with Sunidhi and Shilpa pairing up all over again, there is also a bonus version with Abhishek Ray going solo. While the former follows the same mood and form as the one that was heard earlier at the beginning of the album, the latter is a funky version which takes a different texture altogether.
Source: watch bollywood songs {www.radiomaska.com}
As expected, it's the title song 'Yeh Saali Zindagi' which kick starts the proceedings in the album. A rare track that features both Sunidhi Chauhan and Shilpa Rao, it by itself becomes special due to these two singers with a distinct voice coming together behind the mike along with Kunal Ganjawala. A track that starts off as a soft track, it picks up pace within a minute to give it a pacy feel, only to return into being a slow number all over again. With hevay Western influence to it, 'Yeh Saali Zindagi' is a well written, composed and sung track that delivers what one expected from the soundtrack of this Sudhir Mishra film.
Due to it being a superb composition in the offing, Yeh Saali Zindagi deservingly finds two more versions going for it in the album. While one of them is an all-female version with Sunidhi and Shilpa pairing up all over again, there is also a bonus version with Abhishek Ray going solo. While the former follows the same mood and form as the one that was heard earlier at the beginning of the album, the latter is a funky version which takes a different texture altogether.
Source: watch bollywood songs {www.radiomaska.com}
Friday, 11 March 2011
free bollywood songs
The first track of this album is "Bheegi Si, Bhaagi Si". After the first listen itself, one can undoubtedly claim that this is indeed a Pritam song, and a very sweet one, at that. This song is a very light-hearted romantic number, filled with cute and amorous lyrics written by Irshad Kamil. This song is crooned by Mohit Chauhan and Antara Mitra. Yes, this is indeed the very same Antara Mitra who sang "Kuke kuke koyaliya kuke" from Life Partner. Though that song was able to display Antara's humorous style, "Bheegi Si, Bhaagi Si", allows her real voice to shine through, and we are sure that she will be in much demand after this. Give this song a go!
The next track would be "Mora Piya", composed and sung by Aadesh Shrivastava, along with spoken lyrics by Rosalie Nicholsan, with lyrics written by Sameer. Though generalizing is not healthy, it may be okay to say that this song is one of Aadesh Shrivastava's best compositions. It's a very unique song, because of its semi-classical setting. Upon hearing the song, one would wonder why this song is so melancholic, building up the anticipation for the movie itself. Listen this song for its freshness, as well as to give Aadesh Shrivastava his due accolades, since he had taken a short hiatus from composing, prior to this song.
"Ishq Barse" is the name of the third song. This song is possibly the shocker of the album - it's a full-on dance track, and a very catchy one at that. The song is composed by Shantanu Moitra, and is sung by Pronob Biswas, Swanand Kirkire, and Hamsika Iyer. Along with the lyrics of Sameer, the three singers weave together an interesting semi-classical number, wherein Pronob Biswas and Swanand Kirkire bring in the Rajasthani folk flavor while Hamsika holds the song together with her dance-floor friendly voice. This song is definitely among the best from this album, and is projected to do very well in the charts.
And now we come to the most talked-about song from Rajneeti - "Dhan Dhan Dharti". This song is a patriotic-to-the-core number, beautifully sung by Shankar Mahadevan, with lyrics written by Gulzar sir. What's interesting, though, is that this song is composed by Wayne Sharp. The song contains extremely moving lyrics, and will be appreciated by one and all for the lyrics and the integrity that they display.
Those are the last of the original tracks from this music album. Now, we have three remixes: "Mora Piya Mo Se Bolat Naahin [Dhol Mix]", which is sung by Kavita Seth, of "Iktara" fame, "Ishq Barse [The Bombay Bounce Club Mix]" and "Mora Piya [Twilight Mix]". All remixes are done by Deep with DJ Chantz, and DJ Lloyd with Discreet. All of the remixes will definitely contribute to clubs, but they do not necessarily enhance the songs. The second version of "Dhan Dhan Dharti (Call of the Soil)" is sung by Sonu Nigam. He, as does Shankar Mahadevan, sings beautifully, but once again, the lyrics of the song are what steal the spotlight.
Rajneeti is a mixed bag of treats. There is a little something for everyone, and its variety is the USP. Bollycurry's picks would be: "Mora Piya", "Ishq Barse", and "Bheegi Si, Bhaagi Si
Source: watch bollywood songs {www.radiomaska.com}
The next track would be "Mora Piya", composed and sung by Aadesh Shrivastava, along with spoken lyrics by Rosalie Nicholsan, with lyrics written by Sameer. Though generalizing is not healthy, it may be okay to say that this song is one of Aadesh Shrivastava's best compositions. It's a very unique song, because of its semi-classical setting. Upon hearing the song, one would wonder why this song is so melancholic, building up the anticipation for the movie itself. Listen this song for its freshness, as well as to give Aadesh Shrivastava his due accolades, since he had taken a short hiatus from composing, prior to this song.
"Ishq Barse" is the name of the third song. This song is possibly the shocker of the album - it's a full-on dance track, and a very catchy one at that. The song is composed by Shantanu Moitra, and is sung by Pronob Biswas, Swanand Kirkire, and Hamsika Iyer. Along with the lyrics of Sameer, the three singers weave together an interesting semi-classical number, wherein Pronob Biswas and Swanand Kirkire bring in the Rajasthani folk flavor while Hamsika holds the song together with her dance-floor friendly voice. This song is definitely among the best from this album, and is projected to do very well in the charts.
And now we come to the most talked-about song from Rajneeti - "Dhan Dhan Dharti". This song is a patriotic-to-the-core number, beautifully sung by Shankar Mahadevan, with lyrics written by Gulzar sir. What's interesting, though, is that this song is composed by Wayne Sharp. The song contains extremely moving lyrics, and will be appreciated by one and all for the lyrics and the integrity that they display.
Those are the last of the original tracks from this music album. Now, we have three remixes: "Mora Piya Mo Se Bolat Naahin [Dhol Mix]", which is sung by Kavita Seth, of "Iktara" fame, "Ishq Barse [The Bombay Bounce Club Mix]" and "Mora Piya [Twilight Mix]". All remixes are done by Deep with DJ Chantz, and DJ Lloyd with Discreet. All of the remixes will definitely contribute to clubs, but they do not necessarily enhance the songs. The second version of "Dhan Dhan Dharti (Call of the Soil)" is sung by Sonu Nigam. He, as does Shankar Mahadevan, sings beautifully, but once again, the lyrics of the song are what steal the spotlight.
Rajneeti is a mixed bag of treats. There is a little something for everyone, and its variety is the USP. Bollycurry's picks would be: "Mora Piya", "Ishq Barse", and "Bheegi Si, Bhaagi Si
Source: watch bollywood songs {www.radiomaska.com}
Tuesday, 8 March 2011
yeh Faasley watch songs
Film: Yeh Faasle
Cast: Anupam Kher, Pawan Malhotra, Amrita Rao, Emraan Hashmi, Shahid Kapoor.
Director: Yogesh Mittal.
Yeh
Faasle is a film based totally on the basic distance that each human relationship develops over a period of time interspersed with the various circumstances in the protagonist’s lives. The movie has Amrita Rao portraying the role of a very high profile film actress Sanjana who is adored by all and is loved by quite a few big names in the industry like SRK. However for Sanjana love doesn’t exist and she is too high and mighty to succumb to such silly things like love.
Then comes a time when the gangster called Charlie played by Shahid Kapoor happens to see her and instantly falls in love with her. As Sanjana gradually gets entangled in this relationship she is not aware of Charlie’s true identity.
In the mean time Emraan Hashmi playing the role of Vicky the Casanova, who was brought up abroad has to come back to India to look after his ailing father. Thus when he comes after years( he was sent to live with his aunt when he was just three and even the aunt had died sometime ago) he meets Sanjana and falls for her but she is too committed to Charlie.
Thus will Sanjana finally opt for lie or Vicky as her life partner? Wait for the movie to release on the 7th of January 2011 to find out.
Source: watch bollywood songs {www.radiomaska.com}
Cast: Anupam Kher, Pawan Malhotra, Amrita Rao, Emraan Hashmi, Shahid Kapoor.
Director: Yogesh Mittal.
Yeh Faasle
Faasle is a film based totally on the basic distance that each human relationship develops over a period of time interspersed with the various circumstances in the protagonist’s lives. The movie has Amrita Rao portraying the role of a very high profile film actress Sanjana who is adored by all and is loved by quite a few big names in the industry like SRK. However for Sanjana love doesn’t exist and she is too high and mighty to succumb to such silly things like love.
Then comes a time when the gangster called Charlie played by Shahid Kapoor happens to see her and instantly falls in love with her. As Sanjana gradually gets entangled in this relationship she is not aware of Charlie’s true identity.
In the mean time Emraan Hashmi playing the role of Vicky the Casanova, who was brought up abroad has to come back to India to look after his ailing father. Thus when he comes after years( he was sent to live with his aunt when he was just three and even the aunt had died sometime ago) he meets Sanjana and falls for her but she is too committed to Charlie.
Thus will Sanjana finally opt for lie or Vicky as her life partner? Wait for the movie to release on the 7th of January 2011 to find out.
Source: watch bollywood songs {www.radiomaska.com}
Saturday, 5 March 2011
Guzaarish bollywood songs
Bollywood appears to be inclined towards exploring rare illnesses/disorders/disabilities, with directors casting megastars in characters to raise awareness about the lesser-known ailments. In Ghajini, Aamir Khan had short-term memory loss [Anterograde Amnesia]. In Paa, Amitabh Bachchan played a child afflicted with Progeria. In My Name Is Khan, Shahrukh Khan was shown suffering from Asperger Syndrome. In Taare Zameen Par, Aamir Khan portrayed problems of Dyslexic children. In Black, Amitabh Bachchan was shown succumbing to Alzheimer's. In Karthik Calling Karthik, Farhan Akhtar portrayed a Schizophrenic.
This is not the first time that master film-maker Sanjay Leela Bhansali has attempted a movie that has the protagonist suffering from a serious disability. In Guzaarish, Hrithik Roshan suffers from Paraplegia, a complete paralysis of the lower half of the body, including both legs, usually caused by damage/injury to the spinal cord.
Bhansali has always been known for two things. The first thing is, of course, the visual splendour in his films [which was quite evident in Hum Dil De Chuke Sanam, Devdas and Saawariya] and the second thing that he takes inspiration from various stories. The critically acclaimed Black was inspired from The Miracle Worker [a 1962 film] and Saawariya from 'White Nights', a Russian short story.
There's talk that Guzaarish is a remake of Christopher Nolan's Hollywood movie The Prestige, which, let me clarify, it is not. Guzaarish brings back memories of two films, which may be coincidental: The Spanish Oscar and Golden Globe winning film Mar Adentro aka The Sea Inside [2004], which, in turn, was based on a real-life story of Ramon Sampedro and Whose Life is it Anyway?, a television play, which was later adapted into a play [theatre] and much later into a film [1981].
Bhansali has worked himself to the grind and his presence is felt in every frame of Guzaarish. There is an inimitable intellect that Bhansali brings to his movies. Bhansali is also known to extract the best performances from his actors. In a light-hearted vein, I would go to the extent of saying that Bhansali has the ability to make a dumb man speak and a sightless man see. His devotion and dedication towards his craft is truly inspirational and motivating. In Guzaarish, Bhansali puts behind all the glitter and glamour and comes up with yet another unique and sensitive story told through a series of flashbacks.
Final word? Guzaarish is special in more ways than one. In my individualistic opinion, it easily ranks amongst Bhansali's best works so far. Just don't miss this one!
Set in Goa, it tells the story of an accomplished magician Ethan Mascarenhas [Hrithik Roshan]. Ethan suffers serious injuries when one of his magical trick goes horribly wrong, turning him to a Paraplegic. Confined to a wheel chair, Ethan becomes a Radio Jockey at an FM Station called Radio Zindagi. His show talks of hope, laughter and sunshine and it's difficult to imagine that the man behind it has been immobilized with a spinal injury for the last fourteen years of his life. Sofia [Aishwarya Bachchan], a nurse, takes good care of him; they share a silent love.
Ethan files a petition in court for mercy killing. This decision of Ethan leaves Sofia stunned. Ethan takes the help of friend-lawyer Devyani [Shernaz Patel] to support his appeal. Even Ethan's mother Isabel [Nafisa Ali] supports him in his petition, although Ethan is persuaded by his physician Dr. Nayak [Suhel Seth] to retract his case. Alongside all this, Omar [Aditya Roy Kapur] enters Ethan's life with the aim of learning magic from him. Impressed by Omar's love for magic, Ethan agrees to pass on his legacy to him.
Only a sensitive raconteur can do absolute justice to a challenging subject like the one in Guzaarish and Bhansali seems the right candidate for an extremely tricky theme like mercy killing/Euthanasia. The story is complex and can only be narrated by a storyteller who has the art of telling stories most convincingly. Sure, the protagonist in Guzaarish wants to end his existence, but that doesn't mean the film is disheartening or unsettling. Clearly, the writing [screenplay: Bhavani Iyer and Bhansali] is smart, taut and absorbing.
Guzaarish has a number of sequences that bear the unmistakable stamp of a genius. Sample these…
* The courtroom sequence and Aishwarya's outburst towards the end of it.
* The hearing of the petition at Hrithik's house.
* Hrithik's act going wrong and the near-fatal accident.
* The finale.
Any negatives? The generous usage of English in the narrative. The language is sure to act as a barrier in the hinterland specially. Agreed, the film is set in Goa, they are bound to speak that language, but despite everything, Hindi is a must for a pan-India appeal.
Irrespective of how his films fare at the box-office, Bhansali's films have always been embellished with rich and cherished music. The songs continue to linger in the hearts of the listeners with their dulcet and soothing tunes. After legendary Satyajit Ray and Vishal Bhardwaj, Bhansali is the next accomplished film-maker who has himself created the music of his film. The songs in Guzaarish are more inclined towards poetry that's earthy and contemporary. However, it does take some time for the listeners to sense the pulse of the music. 'Tera Zikr Hai Ya Itra Hai' is a limerick to exquisiteness, 'Sau Gram Zindagi', with its philosophical tone, leaves a lasting impression, the title track 'Guzaarish' casts a spell on you and 'Udi' is, of course, memorable.
Guzaarish has been magnificently shot. The indoors as well as outdoors [the gorgeous panorama] add so much to the film. There's no refuting that cinematographer Sudeep K. Chatterjee has created some really alluring and enthralling visuals. The very effective and subtle background score [Tubby and Parik] of Guzaarish is its very backbone. The feelings of intrigue, anxiety, anguish and romance come across so well. In fact, for the very first time, I felt that I was not hearing the background score, I was feeling it. Dialogue [Bhavani Iyer and Vibhu Puri] belong to high standards that touch your soul. Costumes [Sabyasachi] are absolutely wonderful; they gel well with the setting and mood of the film.
Hrithik and Aishwarya are seen in a lackluster facade and that's what makes the characters so plausible. While Hrithik is seen sporting a beard and has even put on weight, Aishwarya is seen in sober outfits. In fact, the two actors have gone through a drastic appearance change and both pressurize you to believe that they are indeed Ethan and Sofia. It must be said that Hrithik and Aishwarya exude a certain dignity and elegance, much needed for a sensitive film of this magnitude and caliber.
It must have been an arduous task for Hrithik to carry off the Paraplegic character of Ethan Mascarenhas, but he depicts the part with flourish. It's a great risk in filmy norms to have the hero of the film almost entirely on a wheel chair, but Hrithik has never hesitated or been irresolute in putting himself to adverse conditions, in order to achieve excellence, in whatever character he chooses to depict. Kudos to Hrithik for accepting a role that's truly opposite to his larger-than-life image and portraying it with elan.
Aishwarya, as Ethan's nurse, who is the epicenter of his world, has approached this role with rare understanding, not going overboard even once. So effective is she that she not only influences you but also compels you to believe that their love is solid in its quiet strength and also spirited in their verbal sparring. The sensational chemistry, which sizzled the silver screen in Dhoom 2 and Jodhaa Akbar and won hearts all over, sizzles yet again, but this time in a distinctive aspect.
Aditya Roy Kapur is truly outstanding in a pivotal character. Shernaz Patel is exceptional. Nafisa Ali makes her presence felt in a small but significant role. Suhel Seth is in terrific form. Moni Kangana Dutta is okay. Vijay Crishna [judge] is effective. Rajit Kapoor does complete justice to his role. Makarand Deshpande leaves an impression. Ash Chandler and Achint Kaur lend good support.
On the whole, Guzaarish is an invigorating tale. Bhansali, as a film-maker, has scaled several notches above his past accomplishments to create a near-perfect cinematic experience. The highpoint of the motion picture is the magnificently penned story of an incapacitated and debilitated man who desires to end his being with dignity. The film seduces the viewer with a strong emotional quotient, soulful music and of course, the crackling and wonderful onscreen chemistry between Hrithik and Aishwarya. Without doubt, Guzaarish is one of the most profound, insightful and enriching dramas of the year.
Source: watch bollywood songs {www.radiomaska.com}
This is not the first time that master film-maker Sanjay Leela Bhansali has attempted a movie that has the protagonist suffering from a serious disability. In Guzaarish, Hrithik Roshan suffers from Paraplegia, a complete paralysis of the lower half of the body, including both legs, usually caused by damage/injury to the spinal cord.
Bhansali has always been known for two things. The first thing is, of course, the visual splendour in his films [which was quite evident in Hum Dil De Chuke Sanam, Devdas and Saawariya] and the second thing that he takes inspiration from various stories. The critically acclaimed Black was inspired from The Miracle Worker [a 1962 film] and Saawariya from 'White Nights', a Russian short story.
There's talk that Guzaarish is a remake of Christopher Nolan's Hollywood movie The Prestige, which, let me clarify, it is not. Guzaarish brings back memories of two films, which may be coincidental: The Spanish Oscar and Golden Globe winning film Mar Adentro aka The Sea Inside [2004], which, in turn, was based on a real-life story of Ramon Sampedro and Whose Life is it Anyway?, a television play, which was later adapted into a play [theatre] and much later into a film [1981].
Bhansali has worked himself to the grind and his presence is felt in every frame of Guzaarish. There is an inimitable intellect that Bhansali brings to his movies. Bhansali is also known to extract the best performances from his actors. In a light-hearted vein, I would go to the extent of saying that Bhansali has the ability to make a dumb man speak and a sightless man see. His devotion and dedication towards his craft is truly inspirational and motivating. In Guzaarish, Bhansali puts behind all the glitter and glamour and comes up with yet another unique and sensitive story told through a series of flashbacks.
Final word? Guzaarish is special in more ways than one. In my individualistic opinion, it easily ranks amongst Bhansali's best works so far. Just don't miss this one!
Set in Goa, it tells the story of an accomplished magician Ethan Mascarenhas [Hrithik Roshan]. Ethan suffers serious injuries when one of his magical trick goes horribly wrong, turning him to a Paraplegic. Confined to a wheel chair, Ethan becomes a Radio Jockey at an FM Station called Radio Zindagi. His show talks of hope, laughter and sunshine and it's difficult to imagine that the man behind it has been immobilized with a spinal injury for the last fourteen years of his life. Sofia [Aishwarya Bachchan], a nurse, takes good care of him; they share a silent love.
Ethan files a petition in court for mercy killing. This decision of Ethan leaves Sofia stunned. Ethan takes the help of friend-lawyer Devyani [Shernaz Patel] to support his appeal. Even Ethan's mother Isabel [Nafisa Ali] supports him in his petition, although Ethan is persuaded by his physician Dr. Nayak [Suhel Seth] to retract his case. Alongside all this, Omar [Aditya Roy Kapur] enters Ethan's life with the aim of learning magic from him. Impressed by Omar's love for magic, Ethan agrees to pass on his legacy to him.
Only a sensitive raconteur can do absolute justice to a challenging subject like the one in Guzaarish and Bhansali seems the right candidate for an extremely tricky theme like mercy killing/Euthanasia. The story is complex and can only be narrated by a storyteller who has the art of telling stories most convincingly. Sure, the protagonist in Guzaarish wants to end his existence, but that doesn't mean the film is disheartening or unsettling. Clearly, the writing [screenplay: Bhavani Iyer and Bhansali] is smart, taut and absorbing.
Guzaarish has a number of sequences that bear the unmistakable stamp of a genius. Sample these…
* The courtroom sequence and Aishwarya's outburst towards the end of it.
* The hearing of the petition at Hrithik's house.
* Hrithik's act going wrong and the near-fatal accident.
* The finale.
Any negatives? The generous usage of English in the narrative. The language is sure to act as a barrier in the hinterland specially. Agreed, the film is set in Goa, they are bound to speak that language, but despite everything, Hindi is a must for a pan-India appeal.
Irrespective of how his films fare at the box-office, Bhansali's films have always been embellished with rich and cherished music. The songs continue to linger in the hearts of the listeners with their dulcet and soothing tunes. After legendary Satyajit Ray and Vishal Bhardwaj, Bhansali is the next accomplished film-maker who has himself created the music of his film. The songs in Guzaarish are more inclined towards poetry that's earthy and contemporary. However, it does take some time for the listeners to sense the pulse of the music. 'Tera Zikr Hai Ya Itra Hai' is a limerick to exquisiteness, 'Sau Gram Zindagi', with its philosophical tone, leaves a lasting impression, the title track 'Guzaarish' casts a spell on you and 'Udi' is, of course, memorable.
Guzaarish has been magnificently shot. The indoors as well as outdoors [the gorgeous panorama] add so much to the film. There's no refuting that cinematographer Sudeep K. Chatterjee has created some really alluring and enthralling visuals. The very effective and subtle background score [Tubby and Parik] of Guzaarish is its very backbone. The feelings of intrigue, anxiety, anguish and romance come across so well. In fact, for the very first time, I felt that I was not hearing the background score, I was feeling it. Dialogue [Bhavani Iyer and Vibhu Puri] belong to high standards that touch your soul. Costumes [Sabyasachi] are absolutely wonderful; they gel well with the setting and mood of the film.
Hrithik and Aishwarya are seen in a lackluster facade and that's what makes the characters so plausible. While Hrithik is seen sporting a beard and has even put on weight, Aishwarya is seen in sober outfits. In fact, the two actors have gone through a drastic appearance change and both pressurize you to believe that they are indeed Ethan and Sofia. It must be said that Hrithik and Aishwarya exude a certain dignity and elegance, much needed for a sensitive film of this magnitude and caliber.
It must have been an arduous task for Hrithik to carry off the Paraplegic character of Ethan Mascarenhas, but he depicts the part with flourish. It's a great risk in filmy norms to have the hero of the film almost entirely on a wheel chair, but Hrithik has never hesitated or been irresolute in putting himself to adverse conditions, in order to achieve excellence, in whatever character he chooses to depict. Kudos to Hrithik for accepting a role that's truly opposite to his larger-than-life image and portraying it with elan.
Aishwarya, as Ethan's nurse, who is the epicenter of his world, has approached this role with rare understanding, not going overboard even once. So effective is she that she not only influences you but also compels you to believe that their love is solid in its quiet strength and also spirited in their verbal sparring. The sensational chemistry, which sizzled the silver screen in Dhoom 2 and Jodhaa Akbar and won hearts all over, sizzles yet again, but this time in a distinctive aspect.
Aditya Roy Kapur is truly outstanding in a pivotal character. Shernaz Patel is exceptional. Nafisa Ali makes her presence felt in a small but significant role. Suhel Seth is in terrific form. Moni Kangana Dutta is okay. Vijay Crishna [judge] is effective. Rajit Kapoor does complete justice to his role. Makarand Deshpande leaves an impression. Ash Chandler and Achint Kaur lend good support.
On the whole, Guzaarish is an invigorating tale. Bhansali, as a film-maker, has scaled several notches above his past accomplishments to create a near-perfect cinematic experience. The highpoint of the motion picture is the magnificently penned story of an incapacitated and debilitated man who desires to end his being with dignity. The film seduces the viewer with a strong emotional quotient, soulful music and of course, the crackling and wonderful onscreen chemistry between Hrithik and Aishwarya. Without doubt, Guzaarish is one of the most profound, insightful and enriching dramas of the year.
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